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It even holds a strong hand for close-up shooting, with a minimum focus of just 25cm at the 50mm end giving a half-life-size magnification. Its 8x zoom range starts from a standard focal length through to long telephoto, making it a great buy for photographers with a wide range of interests. PN’S VIEW Versatility is very much a key word of Tamron’s 50-400mm f/4.5-6.3 Di III VC VXD, which is compatible with Sony’s E-mount full-frame and APS-C cameras. This allows you to take advantage of a wider range of shooting opportunities, even in challenging lighting conditions. To ensure sharp and stable shots, the lens features a VXD linear-focusing mechanism and a vibration-compensation system (VC) that helps reduce camera shake in low light or when shooting at slower shutter speeds. Whether you’re shooting sports events, wildlife or landscapes, this lens is compact and easy to transport, with an overall length of only 183.4mm (7.2 inches). The Tamron 50-400mm lens is an ideal choice for a wide range of photographic applications, thanks to its close-focusing distance of 25cm (9.9 inches) at the 50mm setting.
This is a top-end prime telephoto, and its premium optical construction of 17 elements in 12 groups delivers an impeccable optical performance aided by a 5.5EV optical image stabiliser.īEST TELEPHOTO ZOOM LENS Tamron 50-400mm f/4.5-6.3 Di III VC VXD TIPA SAYS Essentially, the RF 135mm f/1.8 L IS USM gives you more of the same, and then some. At this focal length you get a flattering perspective, a comfortable working distance from your subject and a nice shallow depth-of-field if you use a wide lens aperture. PN’S VIEW The usual lens recommendation for portrait photography is to use a short telephoto, typically 85mm in the 35mm format.
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Its aperture range offers an excellent team for both shallow (at f/1.8) and deep depth-of-field (f/22) capture, plus many benefits for low-light shooting with an Optical Image Stabiliser system offering eight stops of compensation when paired with a body featuring IBIS. This medium telephoto is perfect for people, travel, landscape and candid photography. The new optical construction which includes two XA (extreme aspherical) and one ED (extra-low dispersion) element delivers excellent sharpness with Nano AR Coating II to prevent flare and ghosting.
Its fast maximum aperture allows greater control when the light is very poor, and it’s designed to give creamy bokeh when used wide open. PN’S VIEW For Sony owners, the FE 50mm f/1.4 GM is potentially the ultimate standard lens. TIPA editors were impressed by the incorporation of new design and control features that make it as ideal for video as it is for still photography, including two focus-hold buttons and a Linear Response manual-focus ring for fine focus control. With an 11-blade diaphragm and 40.6cm close-focusing capability, this G Master is ideal as a general-purpose lens that can deliver startlingly smooth backgrounds and rich bokeh. Offering a superfast f/1.4 maximum aperture, this prime is ideal for low-light and candid shooting.
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An advanced construction of 17 elements including seven advanced elements arranged in 14 groups helps deliver pin-sharp images free of optical aberrations, plus it has a dust- and splash-proof build.īEST STANDARD PRIME LENS Sony FE 50mm f/1.4 GM TIPA SAYSīEST TELEPHOTO PRIME LENS Canon RF 135mm f/1.8 L IS USM TIPA SAYS Headline feature, of course, is its f/1.4 maximum aperture, making it a prime candidate for astro shooting among other low-light subjects.
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PN’S VIEW Sigma is a serial winner of TIPA Awards – 20 since their inception – and the 24mm f/1.4 DG DN Art thoroughly deserves its success. This fast f/1.4 maximum aperture, 11-bladed diaphragm lens also delivers ideal specs for night-time and low-light capture, including astrophotography, featuring two FLD and one SLD glass elements and four aspherical elements that eliminate distortion and significantly suppress coma flare. Poll serious photographers about their favourite street, architecture and even landscape prime lens and the 24mm focal length is sure to be a top choice. The independent brands are throwing in their two pence and as mirrorless systems have gained market traction, it made sense for them to produce compatible products – although the Canon RF fitting is the exception here and we’re not seeing third- party brands coming out with AF lenses. Fujifilm, Olympus, Panasonic, and Sony are a little more established in the mirrorless sector, and at the point where existing lenses are often being updated, although new focal lengths are still appearing. A big one is the impetus provided by the mirrorless revolution, causing lens designers to develop whole new systems, notably Canon and Nikon with their very successful RF and Z systems respectively.
The lens market is a vibrant sector fuelled by several driving forces. BEST WIDE-ANGLE PRIME LENS Sigma 24mm f/1.4 DG DN Art TIPA SAYS
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